If there’s one quality that defines the career of Scott Matthews it’s this: evolution.
The singer/songwriter has challenged himself creatively during a career that has been characterised by rare quality. As Matthews gears up for the release of his seventh studio album, new horizons loom into view as he finds different ways to cast a spell.
The quality of Matthews’ craft is a given. The Ivor Novello-winning artist is part of a lineage that includes such greats as Buckley and Drake, John Martyn and Paul Simon. With guitar in hand and a voice that conveys raw emotion, he has long been established as one of the world’s foremost purveyors of song.
Introspective and reflective, combining blues and folk, mixing the ethereal with the empyrean, Matthews is a musical alchemist who transforms base metal to gold. He has expanded his sonic palette while making his new record, introducing new moods and musical textures as he addresses universal truths.
Having broken through with the much-loved Passing Stranger and more recently mastered the delicate art of one-man-and-a-guitar music with sparse musicianship and an otherworldly falsetto, through the recordsHome Pt I, Home Pt II and The Great Untold, Matthews is travelling along new roads.
Scott is touring a number of churches and unusual spaces with natural ambiences suited to his newfound lo-fi sounds. “It will be one man and a guitar with a wave of electronica washing over me. I am fascinated by thought provoking sounds and how they totally immerse the listener and encourage them to dig a little deeper into their being. I think these songs will prick people’s ears up. They’ll keep people on their toes and hopefully their electronic grace will sweep them off their feet too.”
